Friday, October 28, 2011

Jeffrey Tucker of Chant Cafe on the New Translation

The multi-talented man-of-many-suits Jeffrey Tucker has posted at The Chant Cafe a pithy editorial-of-sorts regarding the new translation of the Roman Missal.  He echos what many of us have uttered over the past several months, "What's the big deal?"  But that's not all. 

I was looking around youtube and found a nine-part epic on the new translation of the Missal. It turned out to be a round-table discussion with some top players in a diocesan office. The moderator would ask one broad question and then the microphone would be passed from person to person, and you know how this groupthink works. They all pretty much said what the last person said. There were dozens of questions, and I could detect no substance at all. I lasted about eight minutes and had to bail for fear of passing out from boredom. I didn't even look at the other seven parts
Why are these films being made? The tedium of this Missal rollout is on the verge of making me crazy. There are gazillion pamphlets, films, commissions, meetings, speakers, monographs. The USCCB hasn't gone door-to-door yet but maybe that is next. Nor can I tell that average Catholics care in the slightest about this new Missal. I was drafted to give two talks at a parish recently and I spoke to an audience of two and three. I tried to be as lively as possible in talking about the changes in the people’s parts, but this is rather difficult since a total of like seven words are changing.

To be sure, the Missal is actually a landmark but the changes are within the deeper structure: the music in the Missal (if it is used), the priest’s parts, the elimination of bad options that were never really in the Latin edition, the depreciation of regrettable options, and more. It will have a gigantic effect over time but this will not be obvious on the first-time hearing. For most people, the First Sunday of Advent will be just another Sunday.

So how can we account for the frenzied educational campaign that seems to mask some grave but hidden fear? The answer was given to me by an older man who came to a seminar I was giving. So few were that that we had time to talk about his life as a Catholic. He told me a story that I’ve heard a hundred times but I still listen in astonishment. It concerned that fateful year of 1969. He was in a small parish that was relatively unaffected by anything that had happened at or after Vatican II. The Mass was the Mass. The priest said it, the schola sang it, and the Catholic Church was the great refuge from all the nonsense going on in the world.

Then one day a package arrived. It was a book with the new Mass. It was mandatory. Starting now.

He was probably 40 years old. The structure that he had grown up with and had lived his whole life was suddenly gone. The prayers of the foot of the altar were gone. The beloved Latin language was gone. The schola had no idea what to sing. All the old liturgical books, beautiful and beloved, were suddenly useless.

This man tried his best to adapt to the new. His friends all drifted away, but he stuck it out. He saw the vestments change. The focal point of the entire sanctuary shifted from the high altar to a new table that was moved closer so that the people could somehow identify with what was going on. The choir melted. A guitar group took its place, and they sang pop songs.

And the priest became Mr. Personality and seemed to never stop talking to everyone and right at everyone from the first “good morning” to the last “go and serve others.” The Catholic ritual that had been defined by its precision and careful adherence to form, for longer than a thousand years, and which had shaped countless generations, had clearly been displaced by something like looked and felt strangely improvisatory.

It is interesting to talk to faithful Catholics of a certain age about this, people who were settled in life with children and with good careers and communities during the time when this upheaval took place. They speak about it only with a painful sense, still not sure if they were actually betrayed or if there was some wisdom in all this that they were missing. It is a bit like extracting war stories from veterans. They don’t talk easily.

We know what happened in the United States and Europe. The story is in the data. Where as many as 80% of Catholis went to Mass, now only 17% or so do. Religious orders collapsed. Schools collapsed. The priesthood was gutted. Moral life changed. Everything changed. The surprise is not that people drifted away but that a few stuck around. I’m always curious about these survivors and their perspective on the world. What they experienced can only be described as a shattering of a world they once knew and believed would last forever.

So after I finished my presentation, the old man in front of me summarized his view: “As I understand what you are saying, this Missal takes us back before all this stuff happened. If so, I think I’m going to like this change better than the last one.”

Of course that’s not really what I was saying, and this Missal does not take us back to the preconciliar rite. But it does capture some of the solemnity and seriousness that was so carelessly disregarded, so there was some truth in what he said.

The narrative that I provided above is still capable of inciting vast argument in the Catholic world. People protest that the loss of people was due to demographic and not ritual shifts, that the seeming meltdown would have been worse without the new Mass, and that, in any case, the old had to go away because it was stern, dark, dreary, confining, insular, and incompatible with the needs of modern people, and you can filled in the rest because we’ve all heard it a thousand times.

And yet, I would suggest that the extreme caution with which this current reform is taking place suggests a confirmation that the narrative is not only true; it is the conventional one. What that upheaval did was produce a Catholic people who are incredibly resistant to change and conservative beyond what they should be. Every change for the last fifty years has come at the expense of stable piety, solid doctrine, and reliable solemnity. Why would anyone want more of that? Why would they risk change at all? The Bishops, of all people, know this and hence the caution.

It is going to take another generation before Catholics start truly trusting again. Bugnini has left his mark on the world, and it one that makes progress incredibly difficult and popularly terrifying. We were supposed to be ushered into a new age of hyper flexibility and we all ended up becoming as implacably resistant to the new as any stick in the mud of centuries gone by.

And yet we must embrace, we must risk, change insofar as that change leads us to recapture what we’ve lost. Embracing the truths that were lost along the way is the only really means for helping us truly believe again.

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Monday, October 24, 2011

Mass review from Big Church #1

Older Girl, Older Boy, and I traveled to a city about forty-five miles north of the church at which I'm currently registered.  I'd heard many good things over a period of years about this particular church; it's quite large and the word on the streets was that it was quite liturgically (and otherwise) orthodox.

We got there very early to go to confession.  I was immediately impressed that there was an entire hour dedicated to hearing them.  There was no line when we arrived, and although I didn't know and couldn't tell where the confessionals were, we accidentally happened upon them as we walked toward the tabernacle.  As usual in many cities, the church had several old folks who were there very early.  For some, it's social time.  Others are there to pray.  As we sat for confession, a piano played from the choir loft.  I assumed the piano was playing to drown out any confession sounds (which is very thoughtful), and was also hoping that the piano would be silent during Mass.

As Mass time approached, the church filled up.  This is a very large church, and on a Saturday evening at that.  I was impressed.  I heard the gorgeous organ playing, and as I picked up clear-plastic-covered OCP Music Issue (boo for OCP, but the covers were not cheap plastic) I saw that the organist and cantor were practicing a new Mass that had been inserted to cover the back and front of the Music Issue.  Of course, I checked to see that the new translation had been faithfully realized; it had indeed.  It was also clear that the organist was well-trained and accomplished.

Mass began.  The celebrant was the priest who'd heard my confession.  He was assisted by a deacon.  There were three servers, two boys and a girl, and each wore very neat albs that looked freshly pressed.  The Mass was well-choreographed; between readings, the cantor and lector would meet in front of the altar and bow profoundly.  Nothing was rushed.  Great care was taken with the liturgy.  There was no homily because this happened to be the weekend that Anointing of the Sick was conducted; Fr. Good Confessor made it clear that the sacrament was intended for seriously ill people, or those about to undergo a serious surgery.  (In my parish, half the congregation stood.)  Some could not come to the front, so their hands and heads were anointed in their pew.  The others lined up to be anointed.

Even with four people distributing hosts, and four people distributing the Precious Blood, the organist went through two Communion hymns.  It was wonderful to see so many young adults and children there.  And since it had been several weeks since I'd been to Communion (my job made it rather difficult), I very joyfully received the Body of Christ.

This was the relaxing, prayerful Mass I've experienced in a very long time.  I'm grateful for the opportunity to attend, and the entire family is intending to trek up this weekend.

Sunday, October 16, 2011

A sunny spot!

Enough gloom and doom -- I just got some fantastic news yesterday! After Mass, one of our priests informed me that he had applied for a grant, and OUR parish had been chosen as the recipient of a $4000 grant to provide....drumroll please...ORGAN lessons for "promising middle/high school students in the parish who already study piano." Father was extremely excited and said we will brainstorm this week on the logistics of implementing this. Wow! I am so excited! :D

Saturday, October 15, 2011

Josquin - Missa Pange Lingua - Kyrie & Gloria

YouTube refuses to let me embed this video, so please click the link:
Josquin - Missa Pange Lingua - Kyrie & Gloria


What keeps Anna happy even after all those funerals?  Josquin, of course, who can cure all ills with his unbelievably gorgeous music.  Heck, maybe he'll cure my sinus infection!

This version displays the notation as the music progresses.  This is the height of vocal counterpoint, in my opinion.  (Must I also confess to a crush on Josquin?  I have a crush on Josquin.)

In counterpoint class, one must avoid using cadential treatments used by Josquin that were antiquated by the time of Palestrina, who is the model for 16th century counterpoint. Perhaps Anna also had to force herself to NOT use "do ti ti la do" instead of "ti do" in the soprano?  He doesn't use those cadences in this composition, but they are legion in the Missa Hercules Dux Ferrariae. BTW, I got an A+ on my midterm counterpoint composition. :-)

Friday, October 14, 2011

Liturgists....blegh!

http://www.creativeminorityreport.com/2011/10/lord-save-us-from-liturgists.html

Amen.

People here keep saying, "but your title is 'Director of Music AND Liturgy!"to which I respond, "Director of Music. I was hired for my MUSICAL gifts, and have a degree in MUSIC. Also, I'm not a priest." Of course, this has made a few people angry. Oops?

Thursday, October 13, 2011

Now for a REAL sin...

What have I done?
In a moment of hasty weakness (clouded by the droves of funerals again this week, no doubt) I allowed the choir to sing "Gather Us In" for Mass this weekend. WHAT HAVE I DONE? All this death really is getting to me. As I sit here listening to Josquin's Missa Pange Lingua (during this brief gasp of air otherwise known as speed-lunch) I can't help but repeatedly bang my head on the wall. WHY?! 

Monday, October 10, 2011

Father, forgive me...

for I have sinned...I think?

Ok, so I have a minor confession to make here.
I just mailed an "anonymous" letter to my boss (a priest) which included the following items:

1. A photocopied page of the GIRM from the upcoming 3rd edition of the Roman Missal in which the following words were highlighted:
"the Most Blessed Sacrament should be reserved in a tabernacle in a part of the church that is truly noble, prominent, conspicuous, worthily decorated, and suitable for prayer. The tabernacle should usually be the only one, be irremovable, be made of solid and inviolable material that is not transparent..."

2. A printout of a picture I took of the front of the church several months ago, in which I photoshopped in a picture of a Tabernacle. I even played up to Father's "designer" side by making sure the wood of the stand it was on matched that of the ambo and the presider's chair. I mean, come on, I'm not completely classless!

In retrospect, I probably should have just saved the $0.44 and stuck it in his mailbox in the office workroom. But, I got afraid it would be "too forward," so, like a 3rd grader writing a love note, I addressed the envelope with handwriting resembling that of my immigrant grandparents, and mailed it from an anonymous USPS dropbox.

Anyway, I feel silly for doing this, but I was just trying to push things along. Father HAS brought up this idea before, but it has never been seriously pursued due to "location issues." Mostly because the organ case that was built [why? *sigh*] right behind the altar against the back wall  presents a problem. To provide a bit of background...the structure of the church was "re-modeled" 20 years ago by a "well-meaning" hippie-type pastor. The relatively "new" priest holds more traditional views of things, but is trying to be "wise" about transition...not wanting to go in with guns-a-blazing and drive out the droves of "educated" folk at the parish. In fact, at our most recent staff meeting last we talked extensively about the building of a 24-hour perpetual adoration chapel! An anonymous donor has even set aside $1million for this very project! (crazy, right?) But again, the "obstacle" is..."where will it go?"  Grr!

Wednesday, October 5, 2011

Mary's Update

So I thought I'd serve up a Quick and Dirty Update for those who think I've forgotten the address of this blog.

University is going positively swimmingly, including French.  Give me a few more weeks, and I'll post exclusively in French.

Counterpoint could possibly kill me.  The first midterm exam was today, and I probably did okay on it.  However, my midterm project, a two-voice three-section composition is officially overdue (I initially typed "overrude".  Freudian, for sure.) I've spilled much pencil lead, but alas....no finished composition.  Happily, the prof allows us to re-do (and re-do and re-do) until we get a grade we're satisfied with.  He handed one back to me today -- and said to re-write it again; I have a terrible propensity toward halving note values, which makes them illegal in 16th-century counterpoint.  Despite it all, I've got an A so far.

Senior recital is postponed until January, but I have to play nearly the entire program next Tuesday for keyboard lab.  Dreading it.

Saw a terrific speaker tonight--Melissa Ohden-- who is a survivor of a failed saline-infusion abortion.  She'll also speak tomorrow night at the Pregnancy Resource Center's annual fundraising banquet.

My church job is not going well, and I'm quite disillusioned with the business of "church."  It is my plan to make this coming Sunday my last day. I'll email the priests and let them know right before Mass.  I anticipate that my extreme stress level will dramatically improve after this action.